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This paper aims at focusing on cognitive meaning of Carlo Levi’s work, based on his evidentiated historiographical, socio-cultural, ethnographic and anthropological interest, with the objective of exploring how the traces of memory, suggesting nostalgic attitude, but also dualistically drawn toward the future, are aspects which substantiate his pictorial search and reflection on art matters. Concomitantly, the purpose is to elucidate compositional elements of literary derivation or those that reflect themselves on...