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J. Semeneca

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Author: J. SemenecaSubject: ART & HUMANITIES: Section Literature and Poetryclear all
Showing 1-3 of 3 records
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6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019
Publication

SHIRLEY JACKSON'S "THE HAUNTING OF HILL HOUSE" AS A HORROR NOVEL: THE UNCANNY, THE MONSTROUS, THE SUDDEN

(STEF92 Technology, 2019, J. Semeneca, I. Presnakova, M. Ignatjeva)

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Shirley Jackson is an author of many fictional and semi-fictional texts and had a great interest in the supernatural. Her novel “The Haunting of Hill House” (1959) is praised by many horror fiction writers, such as Stephen King, as one of the great novels of supernatural in the last hundred years. The notion of the literary genre of horror is based on the effect it produces on the reader: it provokes the reader’s emotional and/or physical response, such as fear, anxiety, revulsion, etc., by exposing him or he...

ART & HUMANITIES: Section Literature & Poetry2019
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

MAN AND WOMAN IN V. MAKANINВ’S OEUVRE OF THE LAST DECADES

(STEF92 Technology, 2018, Anna Stankevica, E. Vasiljeva, E. Isajeva, J. Semeneca)

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V.MakaninВ’s artistic world is analysed as an ontological model of correlation between social and personal universes, which is disharmonious in its essence. One of the reasons that makes this situation possible is a gap formed between the masculine and the feminine sides of the contemporary world. The suggested study provides an analysis of V.MakaninВ’s evaluation given to the model of contemporary civilization created by men and for men: this evaluation is related to crisis and hopelessness. In turn, a woman is m...

ART & HUMANITIES: Section Literature & Poetry2018
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE PHENOMENON OF DOUBLENESS IN CONTEMPORARY RUSSIAN LITERATURE

(STEF92 Technology, 2017, A. Stankevica, E. Vasiljeva, E. Isajeva, J. Semeneca)

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Doubleness is one of the most spread artistic methods of constructing a personality in European culture, which has a rich tradition. It received a special universal status in the era of Late Romanticism. In Romanticism, doubleness is an embodiment of a tragically incomplete breakthrough of a man to the eternally beautiful and perfect in those times, when the world started to be perceived as terrible and hopeless. Modernity presented a specific variation of Romantic doubleness; a double of the turn of the 19th – ...

ART & HUMANITIES: Section Literature & Poetry2017
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