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The relationship between the emergence of linear perspective during the Renaissance and scientific cartography is well known. They both inaugurated and exhibited a new relationship to the world – a de-theologised world, which the human being was now able to measure and circumscribe. Linear perspective and cartography both enabled to frame the world in a window which we could from then onwards encompass, think, visualise, and view at a glance. “Framing” became the key operation of Renaissance art and science....