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At a time when European academic music, as well as long-established jazz on the continent, were in the advanced stages of experimenting with avant-garde languages (integral serialism, Musique concrete, electronic music, mathematical organization, stochastic music, aleatoricism, minimalism etc., respectively free jazz, cool), the Romanian musical culture had come under the influence of a totalitarian ideology, which imposed aesthetic guidelines centered on the principle of accessibility, thus preventing the alignme...