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A. Ceplitis

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Author: A. CeplitisSubject: ART & HUMANITIES: Section Performing Artsclear all
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6th International Scientific Conference on Social Sciences and Arts SGEM 2019
Publication

THE CURIOUS ASPECTS OF AUDIONARRATOLOGY IN STEREOSCOPIC CINEMATIC VR

(STEF92 Technology, 2019, A. Ceplitis)

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The term audionarratology was coined by Jarmila Mildorf and Till Kinzel in 2014, as a reaction to Lawrence Kramer who had argued a few decades earlier that music could not act as a narrative on its own. They took an opposite stand by offering theoretical considerations as well as methodological challenges with emphasis on narrative experientiality, audioception, situatedness, auricularisation, and focalization in sound. While they covered spoken language, radio plays, sound installations, music, video games, and t...

ART & HUMANITIES: Section Performing & Visual Arts2019
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 477-484 pp, DOI:10.5593/SGE
Publication

THE FRICTION OF AESTHETICS AND NARRATIVE TAXONOMY IN 360? FILMS

(STEF92 Technology, 2017, A. Ceplitis)

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The fundamental raison d'être in the production of immersive technologies is the attainment of an absolute psychosomatic and physical embodiment, which Chris Milk, the founder of WITHIN application and a touted master per excellence in 360° video production, provides through his global digital platform where a sense “as if being there” is played out by many world’s VR creators. The hitch, however, for films shot in 360° space, is that their current narrative system as well as their visual configuration opp...

ART & HUMANITIES: Section Performing & Visual Arts2017
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