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The term audionarratology was coined by Jarmila Mildorf and Till Kinzel in 2014, as a reaction to Lawrence Kramer who had argued a few decades earlier that music could not act as a narrative on its own. They took an opposite stand by offering theoretical considerations as well as methodological challenges with emphasis on narrative experientiality, audioception, situatedness, auricularisation, and focalization in sound. While they covered spoken language, radio plays, sound installations, music, video games, and t...