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The study aims at bringing to readers’ attention one of the creations of Olivier Messiaen, a composer whose name is among those who made music glorious in the 20th century European panorama. As the originality of the work, in terms of themes and structure – mostly ensured by completely innovative elements – would be impossible to analyze in a short paper, the adopted solution was that of a brief, but relevant presentation of its architecture and the absolutely novel ways in which the composer expressed his cr...