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Alexey Bartoshevich, a great Russian theatre historian and critic, often raises a question, “To whom was Hamlet written?”. This question is the starting point of the theatrical, philosophical and sociological discussion. What was the audience like then? What people tried to find in Hamlet later on – in XVIII-XX centuries? How modern theatre directors stage this play, how we see it, understand it, feel it? With each touch, each production the play gets new meanings, implications, contexts. According to Alexey...