Browse

Over the centuries, the meeting between the religious music and the secular musical inheritance took place in various ways, some visible, other hidden. This paper aims to synthesise the correspondence between the Romanian byzantine music and В‘doinaВ’, identifying the reciprocal contaminations that came between the two genres. Both these genres represent cultural musical layers which could not be isolated, as they are interconnected by origin, vital space and destination. Although the similarities between В‘doinaВ...