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In this paper the attention is focalized on the iconology created by Giorgio Manganelli in his essayistic writings, when they are structured as a combination of a tale and its correspective visual material, in his interest for pictorial imagery since the prehistoricity to contemporaneity, approached not only as a complement, but as a nucleus from which sprang his literary discourse. It is emphasized how visual images convey social aspects of author's thought as a prolific writer in Italian culture and in a global ...