Browse

As we read in the Prologue of Nikos Kazantzakis’ Saviors of God: “We come from a dark abyss, we end in a dark abyss, and we call the luminous interval life. As soon as we are born the return begins, at once the setting forth and the coming back, we die in every moment…But as soon as we are born, we begin to struggle, to create, to compose, to turn matter into life, we are born in every moment”[1]. The above excerpt taken from Kazantzakis’ early work resonates with an omnipresent leitmotif of his novels wher...

In this work, the creative idea that the artist strives to express in a vanguard work of art is put in juxtaposition to the idea embraced by a viewer with insufficient visual experience of perceiving this type of art. At the first stage of the experiment, the artist provided the description of the principal visual structures that reveal the creative concept of a set of his works, as well as the description of the worksВ’ main ideas. After that, the works in question were shown to the viewers who were asked to desc...