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This paper presents the problem of performing some of the Chopin's Etudes op.10, keeping in mind the basic principles of pianistic interpretation. There are different aspects of interpretative parameters such as form, tempo, rhythm, sonority, phrasing, fingering, which taken together lead to a qualitative interpretation of any musical piece. The purpose of this article is not to offer an exhaustive writing on how to perform Chopin's Etudes op.10, but to present how to make use of those factors in order to achieve ...