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“Stylistic synchronism” and “aesthetic analogy” are two of the most spectacular phenomena in the dynamics of the present-day artistic world which may acquire special (and even paradoxical!) connotations when they manifest “spontaneously” – i.e. involving no deliberative/predetermined factors. In this context, non-intentionality and, respectively, the absence of any individual attempt to relate to an antecedent (alternative) reference enhances the importance of identifying the stylistic and language v...