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The aim of my essay is to introduce a key feature of Miklos ErdelyВ’s oeuvre originating in conceptual art: the modelling of repetition, remembering, and time-travel. While the most salient oeuvre of Hungarian neo-avantgarde is categorized by art historians according to the media technologies applied in the artworks, ErdelyВ’s allround life-work can be best understood through this continuously modified intellectual horizon. Following these range of ideas will lead us to the recognition of the extraordinary charact...