Browse

The paper’s main topic focuses on the idea of deconstruction and its illustration in contemporary history museums, both in the sphere of their actual style, architecture and more elusive narrative. First, the Derridean concept of deconstruction is discussed. It constitutes the point of reference bringing about the phenomenon of the 21st century museums as artifacts whose form, space and the narrative are open to multiplicity of commentaries and interpretations. The postmodern ideas of fragmentation, lack of harmon...