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From the early 15th century, anatomical knowledge was considered fundamental to artists and even architects. Not only medically trained scientists, but also artists found a primary source of inspiration in the human body, directly investigating it under cover of the night or, later on, in public dissections. Direct observation, “to see with one’s eyes” – as states the original meaning of the Greek word autopsia – was fundamental to Renaissance artists. The body, standardized in its dimensions and used as...

This paper tackles the issue of the architectural illustrator in an age of post digitalisation, where the return to the analog hand drawn images for a more pregnant communication is seen by some as much desirable. There are now concerns about the limited communicative ability of digital images, with suggestions to go back to the analogic world of the hand drawn images in perspective style. To assess whether a digital photorealistic render would communicate better or worse than a hand drawn image, a questionnaire w...

This research concerns the relationship between hand movements, as they occur in the act of freehand drawing, and creativity. Since ancient times it was observed that hand movements were linked with intelligence. This issue has gained importance particularly in the field of architectural imagery because automated drawing techniques with computer aided design (CAD) have replaced the hand drawings. This has risen concerns about the impairment of creative ideas that may ensue. The working hypothesis of this research ...