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The article is devoted to the problems of the social role of the musical ensemble. The purpose of the article is to identify the ethical and social specifics of the ensemble as a phenomenon and the consolidating nature of the very nature of ensemble music-making as a form of communication. The main methods are socio-anthropological, culturalhistorical, phenomenological and systemic. The proposed study is based on the concept of the theory and history of the musical ensemble, created by the author of the article an...