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In the late 40. of twentieth century, there was discovered the possibility of music creation by means of electronic tools. Ten years later – during the Internationale Ferienkurse fur Neue Musik – there were held lectures of electronic music. The lectures bounced wide repercussions among the participants of meetings in Darmstadt. In the context of whole legacy and available comments of Karlheinz Stockhausen, Luigi Nono, Luciano Berio, or Gyorgy Ligeti, one can be argued that the experience in experimenting with...