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Workplace harassment in educational institutions represents an increasingly visible interdisciplinary concern affecting teachers’ well-being, professional ethics, and the quality of the learning environment. This paper examines workplace harassment (mobbing) in Romanian schools and universities through a combined legal and psychological perspective. The analysis addresses recent national and European regulatory developments, particularly Law no. 167/2020 and Government Decision no. 27/2025, which strengthen inst...

The systematic manipulation of information and disinformation has been deployed by the Russian government as an operational tool in its attack on Ukraine. The spread of disinformation by the Russian government and its allied actors, as well as the actions undertaken in response by the Ukrainian government, allied governments, and international organizations, provide an important perspective and lessons on how crisis communication. The general objective of the research is to conduct a comparative analysis of online...

In this study we aimed to highlight a possible association between the phenomenon of burnout and the self-esteem of medical personnel, as well as to identify some differences between assistants and doctors, as well as between men and women in terms of the phenomenon of burnout, but and identifying the same differences in selfacceptance. The research was carried out on a sample of 62 participants ,employees of the County Clinical Hospital "St. Andrei" Emergency Department from Constan?a. The general objective of th...

Background: In the artistic context of 20th century, George Enescu is the only representative Romanian composer who will be included in the diverse landscape of the 1900-1940’s, and he will be integrated into the neoclassic direction. He was considered to be “one of the most interesting contemporary spirits”, due to the fact that he remained outside of the avant-gardist experiments, the abstraction trends and the “sterilization” of music. In the Second Suite for Orchestra, op. 20, the composer “will mee...