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One of the first Tatar composers who stood at the origins of the national musical theater is Sultan Gabyashi (1891–1942). Active creative activity of the composer occurred in the 20-30s of the XX century, when the process of formation of professional musical art and education was in Tatarstan. The subject of this analysis is the musical performances of the Tatar composer Sultan Gabyashi. The study used Methods: cultural-historical method, value analysis, the study of scientific literature and music text. Music a...

In the national musical art of the 21st century, there is a tendency of active conversion to folklore, an interest in folk "roots" is increasing, and the study and expression of ethnic music traditions in composer creativity. Creating modern national works, young composers of Tatarstan boldly experiment: they combine different styles (electronics, rock, folk, country); ethnic instruments of the Tatars (kurai, dombra, kyl-kubyz) in combination with the classical symphonic orchestra are engaged, they conduct experim...

Based on the analysis of the musical works this article deals with the peculiarities of the art of modern composers of the Republic of Tatarstan (Anatoly Luppov, Rashid Kalimullin, Leonid Lyubovsky), originally refracting the traditional musical material belonging to the radical ethnoses of the Volga region (the Slavic, Finno-Ugric and Turkic people). It is revealed that composers create highly artistic samples of symphonic, stage, chamber-instrumental, vocal and choral music on the basis of artistic-figurative, g...