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Subject: ART & HUMANITIES: Section History of Artclear all
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Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025
Publication

ALEXIS PRELLER’S DISCOVERY – THE SEA ROUTE AROUND AFRICA

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2025, Johann Opperman)

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Alexis Preller’s mural Discovery (1959–62), commissioned in 1959 for the Nicol Conference Hall in central Pretoria, offers a visually striking interpretation of the historic discovery of the sea route around Africa in the late 15th century. This impressive oil painting skillfully combines historical narrative with symbolic artistry. It draws inspiration from the era of Portuguese navigators and explorers, such as Vasco da Gama, as well as the rich diversity of the African continent. This period marked a signif...

ART & HUMANITIES: Section History of Art2025
Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025
Publication

CERAMICS PRODUCTION IN LUBYCZA KRÓLEWSKA, SIEDLISKA AND POTYLICZ – THEIR HISTORY, PRODUCE AND DESIGNS

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2025, Aleksander Szewc, Anna Celary, Katarzyna Pasiut, Janusz Partyka)

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This paper presents the issue of ceramics created in Lubycza KrГіlewska, Siedliska and Potylicz (ukr. Potelych), three towns located on the current Polish-Ukrainian borderland. It mainly discusses the history of the establishment and further fate of the manufactory in Lubycza KrГіlewska, which is the most documented of those three places. It operated at the turn of the 19th and 20th centuries, and brought to life one of the most interesting examples of pottery in this part of the modern day Poland. This article sh...

ART & HUMANITIES: Section History of Art2025
Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025
Publication

ELEMENTS OF ANCIENT ARCHITECTURE AS INSPIRATION FOR CONTEMPORARY WORKS - IGOR MITORAJ VERSUS KRZYSZTOF BACULEWSKI

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2025, Iwona Swidnicka)

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Twentieth-century art remained under the influence of ancient cultures, with artists frequently reinterpreting classical myths and employing mythological motifs. For instance, James Joyce, in his novel Ulysses, presented a classical myth within a modern context. Artists also used figures such as Niobe and Icarus to express universal truths about the human condition. Polish artists – sculptor Igor Mitoraj and composer Krzysztof Baculewski – likewise drew inspiration from antiquity. Mitoraj’s sculptures, renow...

ART & HUMANITIES: Section History of Art2025
Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025
Publication

JOHN AMOS COMENIUS’S MAP OF MORAVIA

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2025, Andrea Wlochova, Karolina Slamova, Libor Folvarcny)

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This article explores a significant cartographic achievement by John Amos Comenius, his map of Moravia that extends beyond the realm of education. Initially, the article will discuss the creator of the map, his life, sources of inspiration, educational contributions, and his significance for Moravia, where he was born, as well as the reasons for his exile. After that, we will focus on the significance of Comenius’s Map of Moravia. We will examine the historical background of the creation of the map in the 17th c...

ART & HUMANITIES: Section History of Art2025
Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025
Publication

THE EUROPEAN ART COLLECTION OF THE BUCHAREST PINACOTHEQUE

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2025, Ana-Maria Maciuca)

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The Bucharest Pinacotheque has become the foremost repository of Romanian artistic heritage, documenting national artistic developments from the mid-19th century to the present day. Alongside its extensive Romanian holdings, the institution also preserves a smaller but significant collection of European art, comprising over fifty works by foreign artists dating from the 17th to the early 20th century. The aim of this research is to analyze the European art collection donated by Ioan I. Movila, with particular atte...

ART & HUMANITIES: Section History of Art2025
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

CREATIVITY AND MADNESS IN THE ARTISTIC PRODUCTION OF VINCENT VAN GOGH: BRIEF PSYCHOLOGICAL REFLECTIONS

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Rosella Tomassoni, Valentina Coccarelli, Francesco Spilabotte)

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The aim of this study is to show how painting, in Vincent Van Gogh (1853-1890), is an active expression of the Dutch painter’s madness, inner anxieties and social unease through the vigour of the sign and the brutal incandescence of colour. The pictorial material is a direct manifestation of the inner datum and becomes a means of exorcising the ‘evil of living’ that consumed the artist. Within this work, we will consider how in the works of Van Gogh, forerunner of the expressionist language, creativity and m...

ART & HUMANITIES: Section History of Art2024
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

METALS, PRECIOUS AND SEMIS-PRECIOUS STONES FASCINATION AND ART

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Nadia Cerasela Ani?ei, Andreea Elena Matic)

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The article aims to present some of the legends surrounding precious metals and precious stones, followed by legal aspects and a brief historical overview and concluding with the fascination that precious metals and stones have for people. Precious metals and precious stones function as a signal of a person’s high social status in society. Thus, they are the insignia of powerful people; the vehicle by which a person can climb the social ladder. Precious metals and precious stones, because of their aesthetic, dis...

ART & HUMANITIES: Section History of Art2024
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

THE HEROIC AND THE GUILTY BODY IN POLITICAL AND SOCIAL POSTERS OF LATVIA DURING THE PERIOD OF SOVIET OCCUPATION

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Mg. Iveta Feldmane)

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The poster as the genre of graphic arts is a medium where the representation of the human body functions as an important semiotic sign. This genre has also reflected and influenced the most diverse spectrum of artistic, social and political processes. In addition to informative and illustrative content, the inclusion of the human body in the composition of the poster has always had ideological purpose. The aim of this paper is to discuss how political ideology integrates the images of the human body in the posters...

ART & HUMANITIES: Section History of Art2024
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

THE LANDSCAPE OF HUMANISM

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Radmila Iblova)

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The landscape is the place on earth where life can exist. Life in the landscape significantly shapes people and influences their existence and personality. The peaceful life of man in the landscape, which he transforms by his good deeds, creates the landscape of humanism. It is thanks to St Francis of Assisi, the author of the text “Cantico delle creature” (Canticle of Creatures), written in Assisi in 1224, that the landscape becomes admirable for man. This song is an admiring celebration of the 13th-century l...

ART & HUMANITIES: Section History of Art2024
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

THE PATTERN OF THE “PERFECT MAN” IN SUFISM

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Anar Tanabayeva, Samal Sagnaikyzy, Marzhan Alikbayeva)

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In the history of culture, one of the most important periods in the study of the problem of the nature and formation of the “perfect man” was the historical stratum of medieval Islamic culture, in which the Sufi discourse played an important role. Sufism as a religious and mystical direction in Islam is actualized in the light of the study of the classical cultural heritage of the peoples of the East and modern socio-cultural processes. Sufism played a significant role in the development of medieval Islamic cu...

ART & HUMANITIES: Section History of Art2024
Proceedings of 10th SWS International Scientific Conference on Arts And Humanities - ISCAH 2023
Publication

ART AND SCIENCE PARALLEL PATHS IN THE DEVELOPMENT OF THE HUMAN THOUGHT. IS ART AN ANTICIPATION OF THE SCIENTIFIC DISCOVERIES?

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2023, Renzo Campanella, Flavia Dragoni)

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Both in art and in science one can identify paths of development that lead in the same direction. This parallel development can be proposed on the basis of a comparison between the evolution of painting and the development of the theories of physics, recognizing, for example, a conceptual parallelism between the birth of perspective and the Galilean scientific method, as well as between impressionism and quantum mechanics. Another case in which it is evident that art and science move in the same direction is the d...

ART & HUMANITIES: Section History of Art2023
Proceedings of 10th SWS International Scientific Conference on Arts And Humanities - ISCAH 2023
Publication

THE ITALIAN PROVINCE AND THE AVANT-GARDE IN ART. THE CASE OF FROSINONE AND THE “CONTROAVANGUARDIA”

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2023, Melissa Benvenuto)

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Introduction: The present research takes shape from the increasingly strong need to methodically probe the facts, the creators, the productions, the exhibitions and the editorial and press activities in the period between 1958 and 1968 in the province of Frosinone. Materials and Methods: The analysis is made by comparing the phenomenon under study within the broader national scenario. The importance of the topic lies in the dynamics of development that it assumes in close relation to the changed social values and ...

ART & HUMANITIES: Section History of Art2023
Proceedings of 9th SWS International Scientific Conference on Arts And Humanities - ISCAH 2022, VOL 9
Publication

INFORMATION PARADIGMS OF ART FROM THE HISTORY OF SOCIAL AESTHETICS

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2022, Ibraim Didmanidze, Irma Bagrationi)

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The present scientific paper deals with the worldview understanding of features of information and communication functions of art according to the ‘Theory of Environment’ and ‘Conception of Organotropism’ from the history of Europeanworldview philosophical and aesthetic thought, particular: According to the main principle of Social Aesthetics of French philosopher and sociologist Jean-Marie Guyau [in the work “Problems of Contemporary Aesthetics”] the aesthetic ideal of art has a meaning by presentive ...

ART & HUMANITIES: Section History of Art2022
8th SWS International Scientific Conference on Arts And Humanities - ISCAH 2021
Publication

PALLADIAN TRADITION OF STUDYING CHRISTIAN ARCHITECTURE IN THE ART HISTORY HERITAGE OF NIKOLAY LVOV

(SGEM World Science, 2021, Andrei Bogatyrev, E. Milyugina)

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The overall theoretical problem of the study is systematization of art history methods and approaches involved in description and analytics of ancient Christian architecture within the frame of the European XVI–XVIII centuries aesthetic thought. The specific challenging issue the article addresses is the role of Palladian art history and art criticism tradition played in formation of national school of Christian architecture studies and architectural art criticism in Russia. The object of the study is the herita...

ART & HUMANITIES: Section History of Art2021
8th SWS International Scientific Conference on Arts And Humanities - ISCAH 2021
Publication

S.W.HAYTER AND THE ATELIER 17 AND THEIR CONTRIBUTIONS TO UNDERSTAND THEIR OWN EXISTENCE THROUGH ART

(SGEM World Science, 2021, Maria del Rosario Gomez Garcia, S. Garcia Rams)

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The core of this article is that ideas and mastery of artistic techniques are of par im-portance when making a work of art according to Stanley William Hayter. Our question was then, where do ideas come from and how can we bring them to the surface? This study is about how Hayter showed that ideas are directly related to images. Influenced by Jungian ideas of the collective unconscious, he made use of automatic drawing and the technique of engraving, giving a new use to the burin on a copper plate to make them eme...

ART & HUMANITIES: Section History of Art2021
7th SWS International Scientific Conference on Arts And Humanities - ISCAH 2020
Publication

HISTORIOGRAPHY OF EUROPEAN AND RUSSIAN CHANDALIERS FROM THE SEVENTEENTH TO THE BEGINNING OF THE NINETEENTH CENTURIES AND THEIR RUSSIAN RECEPTIONS

(STEF92 Technology, 2020, M. Mitnik)

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This article addresses the causes of weakness and insufficient knowledge in relation to historiography of some types of the decorative and applied arts what can be shown from the example of ceiling lightning appliances. Bibliography on the lightning appliances as a work of art before the Electrification Epoch is truly scant. There are separate books in world literature devoted to the ceiling lamps, however, they are rather descriptive, and do not have patterns of historical development in them. The author introduc...

ART & HUMANITIES: Section History of Art2020
7th SWS International Scientific Conference on Arts And Humanities - ISCAH 2020
Publication

TRAVELLING EXHIBITIONS OF SPANISH PAINTING IN THE CONTEXT OF FRANCOВ’S POLICY

(STEF92 Technology, 2020, A. V. Morozova)

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The article deals with the history of travelling exhibitions of Spanish art from Spain, primarily from the Prado Museum, to other countries during Franco’s time (1939-1975). For comparative study, the article gives a review of the pre-Franco period (late 19th – early 20th century) as well as the post-Franco period (the last quarter of the 20th century). The turning points in the exhibition policy were closely related with the social, cultural and politic situation in the country, with proves the idea of the rel...

ART & HUMANITIES: Section History of Art2020
6th International Scientific Conference on Social Sciences and Arts SGEM 2019
Publication

DIOSCURI - CASTOR AND POLLUX. ASPECTS OF THEIR SYMBOLISM AND ARTISTIC REPRESENTATIONS

(STEF92 Technology, 2019, S. Romanescu)

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Dioscuri is the name given to the two twin brothers, Castor and Pollux, sons of Zeus (Dios), born of his union with Leda. They had Helena and Clytaemnestra as sisters. But as Leda was the wife of mortal Tyndareus, the king of Lacedaemon, her children were also called Tindaris. And because Leda had met the same night with Zeus, who had taken the appearance of a swan, and with her husband, the two pairs of twins who came out of her eggs were assigned both to Zeus and to Tyndareus: Helena and Pollux - born with Zeus ...

ART & HUMANITIES: Section History of Art2019
6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019
Publication

HARMONIC FORESHADOWS IN J. S. BACH'S CREATION

(STEF92 Technology, 2019, G. Bulancea)

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Bach's genius could be discovered rather in those features of musical language that are no longer contiguous to the pathway initiated by tradition, in those novel solutions which, in spite of displaying a high degree of novelty, are way ahead of their time, foreshadowing evolutions that will become habitual in another stylistic period. One of the elements of the musical language that Bach excels at is harmony which he masters like no other from among his contemporaries. Often a visionary through his manner of appr...

ART & HUMANITIES: Section History of Art2019
6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019
Publication

HUMANISTIC TRENDS OF THE BOHEMIAN BRETHREN AND THEIR PRINTING HOUSE IN KRALICE

(STEF92 Technology, 2019, A. Wlochova, K.Slamova)

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The paper aims to map the roots of the Unity of the Brethren, a religious movement whose origins date back to reform religious thinking represented, e.g. by John Wycliffe in England. The text mentions the key moments in the history of the Unity of the Brethren, notices the influences and contacts with Martin Luther in Germany and later Jean Calvin in Geneva and focuses on the development trends within the church itself. It especially points out the trend towards humanistic traditions of education, scholarship, lit...

ART & HUMANITIES: Section History of Art2019
6th International Scientific Conference on Social Sciences and Arts SGEM 2019
Publication

MODELLING REPETITION, REMEMBERING, AND TIME-TRAVEL IN MIKLOS ERDELYВ’S OEUVRE. A HUNGARIAN NEO-AVANTGARDE EXPERIMENT WITH LEAVING SPACE AND TIME

(STEF92 Technology, 2019, P. Kohalmi)

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The aim of my essay is to introduce a key feature of Miklos ErdelyВ’s oeuvre originating in conceptual art: the modelling of repetition, remembering, and time-travel. While the most salient oeuvre of Hungarian neo-avantgarde is categorized by art historians according to the media technologies applied in the artworks, ErdelyВ’s allround life-work can be best understood through this continuously modified intellectual horizon. Following these range of ideas will lead us to the recognition of the extraordinary charact...

ART & HUMANITIES: Section History of Art2019
6th International Scientific Conference on Social Sciences and Arts SGEM 2019
Publication

MOSAIC RESCUE AND RESTORATION AS A MISSION (POSSIBLE)

(STEF92 Technology, 2019, M. K. Storkanova, P. Bauerova)

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The goal of this paper is to point out some of the mosaic monuments in the Czech Republic as a casuistry of rescue actions and restoration treatments as a response to frequent ignorance or in utmost cases the demolition of mosaic art. Despite a slowly increasing interest in mosaic heritage in recent years the full recognition of mosaics, including the ones from the communist era, as a valuable legacy of the past, still has not taken place. For this purpose the association Art a Craft Mozaika was founded in 2012. W...

ART & HUMANITIES: Section History of Art2019
6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019
Publication

SHAPE AND COLOUR IN MIDDLE AGES PAINTING. PARTICULARITIES IN EASTERN AND WESTERN EUROPE

(STEF92 Technology, 2019, L. S. Cuciuc Romanescu)

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At the end of the Romanic period, painting was still considered a less important art, used only to decorate certain surfaces for which there were no broader or richer methods of coverage. The ordinary painter's duty was to only color the sculptures created by other hands or to decorate the walls. In this sittuation we can tell that the most appreciated form of painting was the one made by generations of monks in their writing rooms (scritoria). That was the place where they were illustrating their manuscripts with...

ART & HUMANITIES: Section History of Art2019
6th International Scientific Conference on Social Sciences and Arts SGEM 2019
Publication

SPANISH ART EXHIBITIONS IN RUSSIA: THE SOCIOCULTURAL CONTEXT

(STEF92 Technology, 2019, A. V. Morozova)

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The article deals with the history of Spanish art exhibitions in Russia from the 19th century up to nowadays. The turning points of this history are closely related to the social, cultural and political situation both in Russia and in the world. It proves the relevance of one of the basic principles of art studies about the certain dependence of art research on the general cultural and ideological policy of the state. The article describes the first Spanish art exhibitions in Russia in the 19th – the early 20th ...

ART & HUMANITIES: Section History of Art2019
6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019
Publication

THE SACRIFICE, AS SOLUTION TO SOLVE THE CULTURAL CONFLICTS FROM BULGARIA. AN ANALYSE OF THE ICON "THE JUDGEMENT OF THE PONTIUS PILATE 1829"

(STEF92 Technology, 2019, I. S. Bora, I. Bora)

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The icon is defined in the orthodox tradition as the Bible of the low literate, reason for which, in just a few colors it is synthesized important attitudes and events. The look of the believer is inevitably attracted by the face of Jesus and/or of the saints, for finding out and memorize easier the message of the Evangel. The icon "The Judgement of the Pontius Pilate 1829", kept in the Alexander Nevsky Crypt Museum, is an atypical one: Jesus is hard to find between the negative characters, dressed atypical and ke...

ART & HUMANITIES: Section History of Art2019
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ABILKHAN KASTEEVВ’S WATERCOLORS AS A HISTORICAL AND ETHNOGRAPHIC SOURCE (CENTRAL STATE MUSEUM OF THE REPUBLIC OF KAZAKHSTAN COLLECTION AS A CASE STUDY)

(STEF92 Technology, 2018, Galiya Temirton, B. Kakabaev, U. Ashimova)

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People's Artist of Kazakhstan Abylkhan Kasteev was a subtle connoisseur of history, culture, customs and traditions, which was clearly reflected in his work. Therefore, the numerous works of the artist today cause not only artistic and aesthetic interest, but also scientific, as they represent a huge layer of pictorial material on the history, traditional culture and way of life of Kazakhs in a wide chronological range. This article gives a brief analysis of the historiography of A. Kasteev's works, especially sci...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ARCHITECT AS GEOGRAPHER: THE RENAISSANCE ARCHITECTURAL THEORY ON FORTIFICATION AND TERRITORY

(STEF92 Technology, 2018, Y. Revzina)

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One of the most important architectural theoreticians of the late Italian Renaissance Vincenzo Scamozzi drew an analogy between architect’s work and work of a geographer in his famous treatise “La idea dell’architettura universale” (1615). That analogy based on Strabo’s authority led Scamozzi to some reflections on importance of intensive examination of the territory by every architect. He considered an architect to be not only a natural scientist but a person who would be able to combine natural philosophy...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

CREATIVITY OF THE MONGOLIAN ARTIST Z. UYANGA: ANALYSIS OF THE GRAPHIC SERIES "WOMEN OF MONGOLIA"

(STEF92 Technology, 2018, Sophia Belokurova)

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The article is devoted to the analysis of the creativity of the modern Mongolian artist Zorigt Uyanga. The author pays special attention to the means of artistic expressiveness used by the artist in the series “Women of Mongolia”. The paper provides art-critical research of cultural and historical background which forms the basis of the series. It reveals a special interest of the artist to the role and semantic of costume (or its absence) and traditional female hairdo. Mentioned points and their modification ...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

EDUCATING FUNCTION OF LINEAR PERSPECTIVE IN THE RENAISSANCE ART

(STEF92 Technology, 2018, M. Tarasova, N. Bakhova, V. Zhukovsky)

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The aim of this study is to justify a classification of the Italian Renaissance paintings based on aspects of the educating function of linear perspective. The importance of the problem is in unrealized educating potential of linear perspective in the field of publication activity. Researchers mostly examine the mathematical aspect of linear perspective as the artistВ’s tool for modeling the three-dimensional world in two-dimensional pictorial art forms. However, reducing linear perspective to a technical device c...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

GENERATION OF COMPLEX STRUCTURES CONNECTED WITH PLANETARY TIME CYCLES IN ARCHITECTURE

(STEF92 Technology, 2018, Vitaly Kochergin)

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Circular megalithic structures can be found all over the world. Despite the great interest they arouse in scientists, the function and reasons for construction of many of them are still unknown. In this article we present general analysis of circular megalithic structures that date back to 4th – 2nd thousand BC as calendars and calculating devices which allowed the ancient to define and fix cyclic time patterns to spatial constructions. It lies at the base of our hypothesis of the principles of how these cultic ...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

MASTERY OF THE HUMAN FABRICA: SEEKING TITIAN IN VESALIUS ANATOMY

(STEF92 Technology, 2018, I. Vodopivec)

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The paper debates possible authorship of designs for printed illustrations in one of the most famous anatomies issued during the Renaissance period – the work of Andreas Vesalius entitled De humani corporis fabrica libri septem pubished in 1543. The anatomy contains more than 250 illustrations, of which 22 are made on large folio plates; three of them depicting skeletons, others depicting human body structures. Many studies have analyzed possible masters who prepared designs for the illustrations in question. Am...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

STONEHENGE – A ROMAN TEMPLE OR A BUILDING OF THE FIRST PARLIAMENT OF BRITAIN: DISCUSSION IN XVII CENTURY BRITISH ARCHITECTURAL THEORY

(STEF92 Technology, 2018, D. Shvidkovsky)

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The paper has its aim to determine the features of the search of national identity and its origins in the architectural theory in XVII century Britain. In spite of troublesome period of time the rule of Charles I, with its difficulties, which led to the revolution, Civil war, execution of the king, the pass of power to the Parliament, then restoration of Charles II one topic had been constantly present in the British architectural mentality. It was the question, who built Stonehenge and what that already famous an...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE DANCING "SHAMAN" IMAGE IN THE COMPLEX RASHAAN-KHAD IN MONGOLIA

(STEF92 Technology, 2018, M. Shishin)

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In 2015, as a result of historical and art studies of the complex of petroglyphs Rashaa-Khad in Mongolia, an indescribable anthropomorphic image was discovered, which was given the name "dancing shaman". It was located on the well-known and long-studied stele, on which a large number of tamgo-shaped signs of the Mongolian clans were carved. The image was located on the edge, poorly read because of the thick layer of organic matter. When clearing and copying through a special thin paper – mikalent, we were able t...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE SUBSTANTIATION OF THE ICONOLOGICAL METHOD IN SEMANTIC ANALYSIS OF BUDDHIST ARCHITECTURE (ON THE EXAMPLE OF MONGOLIA)

(STEF92 Technology, 2018, M. Shishin, T. Kanaryova)

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The article substantiates the prospects of theoretical and art-historical research of Mongolian temple architecture, based on extensive historical and art descriptions. It is indicated that the actual task is the interpretation of temple architecture. The experience of application of iconological method in disclosure of semantics of architectural monuments in Western Europe is presented. On the basis of this, for the first time, applied to the Mongolian architecture, the author proposes the methodological iconolog...

ART & HUMANITIES: Section History of Art2018
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

ANALYSIS OF THE ILLUSTRATIONS BY IVAN YAKOVLEVICH BILIBIN (1876-1942) TO RUSSIAN FAIRY TALES

(STEF92 Technology, 2017, M. Kolesnik, N. Koptseva, N. Libakova, N. Sergeeva, E. Sertakova)

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The article analyzes the works performed by Ivan Yakovlevich Bilibin, a Russian artist, whose artistic ascent took place at the turn of the 20th century while Russian intellectuals were actively engaged in identifying the specific features of Russian cultural identity. The article also provides a short description of the works by Ivan Yakovlevich Bilibin in the context of visual arts theory and performance. The analysis of the artist's works brings to light visual images of the Russian cultural identity that they ...

ART & HUMANITIES: Section History of Art2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

ANCIENT PROTOARCHITECTURAL CONSTRUCTIONS OF THE PALEOLITHIC PERIOD

(STEF92 Technology, 2017, V.Kochergin)

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This article is dedicated to the question of finding conceptual basis of prehistoric architecture. The author tried to discern the reasons why it came to existence and the principles of its functioning, as well as developing architectural spaces of permanent structures. The remains of ancient constructions, made from mammoths’ skulls, tusks and larger bones dug into the soil, served as the subject of the research. “Bone” structures like these are the phenomena of the Paleolithic era. These monuments of prehis...

ART & HUMANITIES: Section History of Art2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 263-268 pp, DOI:10.5593/SGE
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ARCHAISM AS A BASIS OF ORNAMENTATION IN THE ART OF THE NORTH CAUCASUS

(STEF92 Technology, 2017, N. Drobysheva)

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As a rule, the elucidation of the artistic image of decorative and applied art work is contributed by the ornamental dГ©cor it contains. During the study of material monuments of culture of the North Caucasus people it was revealed that local ornament is not just a decoration, but above all, is the unity of the semantic integrity of the creative origin of elements, each of which has the status of a sign - symbol. In the context of the stated problem, the author considers the study of artistic and expressive, and s...

ART & HUMANITIES: Section History of Art2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 269-274 pp, DOI:10.5593/SGE
Publication

DOINA-ROMANIAN ELEMENT OF UNESCOВ’S CULTURAL HERITAGE

(STEF92 Technology, 2017, P.M. Coroiu)

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Romanian Doina was inscribed on the representative list of the Intangible Cultural Heritage of Humanity in 2009. Doina is a improvised, solemn and lyrical folkloric song, marking the essence of Romanian folklore. It can be sung in any social context, with or without instrumental accompaniment, with expressive ornaments. The emotional magnitude is very impressive. There are various regional types of doina, with different specific elements. Doina is representative for the peasantВ’s soul, expressing his most intense...

ART & HUMANITIES: Section History of Art2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

INDIAN MAUSOLEUMS AS THE REPRESENTATIVES OF THE ISLAMIC RELIGION IN THE ERA OF THE GREAT MUGHALS

(STEF92 Technology, 2017, K. Reznikova, N.Koptseva, V. Razumovskaya, V. Kirko)

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Religious art is representative of religions concept. Indian mausoleums, which were created during the reign of Mughal represent features of Indian Islam. Art analysis and philosophical interpretation of signs and images of Indian mausoleums helps to understand the unique features of Indian Islam. Religious Islamic art in India continues to have an impact on the recipients in the present. The art works of Islamic architecture can be studied as cultural texts. The ideals, values and standards of Islam are of archit...

ART & HUMANITIES: Section History of Art2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

MATHEMATICAL ANALYSIS AND MODELING OF CULTURAL DYNAMICS IN EUROPE DURING XVI-XX CENTURIES

(STEF92 Technology, 2017, L. A. Dmitrieva, Y. A. Kuperin, I. A. Smirnov)

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The research focuses on the study and the identification of significant relationships between the observed peaks of the creative activity in such fields as art, music, literature, philosophy, science and technology. To establish the relationship between the development of cultural fields and development of society the structural-demographic theory was used, according to which a state goes through integration and disintegration phases during its existence. According to this, we propose the hypothesis that a phase o...

ART & HUMANITIES: Section History of Art2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 275-282 pp, DOI:10.5593/SGE
Publication

ON THE PHYSICO-ACOUSTICAL BASES OF SONANCE AND TENSION

(STEF92 Technology, 2017, Y. Stanishevskiy)

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Up to the present moment the musical science explains the fundamental phenomena of harmony, such as sonance and tension, either by the abstract numerical logic in the frequency relations of sounds, or by the individual specifics of perception. And though the regularities of perception of sonance are well-known, their objective reasons exist only at the level of hypotheses, and the phenomenon of tension is still regarded only as a result of the perceptual effects. However, the above-mentioned phenomena are the refl...

ART & HUMANITIES: Section History of Art2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

PHILOSOPHIC AND ART ANALYSIS OF PICTORIAL WORKS BY E. MUNCH: MELANCHOLY, SEPARATION, THE DANCE OF LIFE

(STEF92 Technology, 2017, N. Seredkina, K. Reznikova, A. Kistova, N. Pimenova, J. Zamaraeva)

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The oeuvre of the Norwegian artist Edvard Munch was influenced by the major tenets of Symbolism of the end of the XIX century and German Expressionism of the beginning of the XX century, which allowed the painter to express the depths of meaning of life through visual signs. The objective of our research is to determine the artistic concept of the paintings “Melancholy”, “Separation”, “The Dance of Life” by Edvard Munch as representants of his major cycle of works “The Frieze of Life”. The methodol...

ART & HUMANITIES: Section History of Art2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 283-288 pp, DOI:10.5593/SGE
Publication

SALONA PRESENTED IN FOUR TRAVELOGUES (G. B. GIUSTINIAN, J. SPON – G. WHELER, R. ADAM, A. FORTIS)

(STEF92 Technology, 2017, A. Torlak)

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The architectural and art historical heritage of Salona, the capital city of the Roman province of Dalmatia, is enormous in scope. A considerable amount of data on the research sites in the city and serendipitous discoveries of its art objects, has however been lost. This study engages with the dispersed data in the literature and archives by an interdisciplinary approach that results in a synthesized work which includes previously unpublished documents and lost objects. The sources in this study are historical-li...

ART & HUMANITIES: Section History of Art2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE BRANCOVAN STYLE – A VEIN OF ROMANIAN ART

(STEF92 Technology, 2017, N. Tuca, P. O. Tuca)

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During the reign of Constantin Brancoveanu, remarkable achievements were recorded in architecture and painting. We shall meet the values of art and architecture in our country, in general, and especially those of the age of Saint Constantin Brancoveanu, which has left its mark not just on the territory in Muntenia, as it also penetrated in Transylvania, crossed the Romanian western boundaries into Serbia and went up to Bessarabia. Today, the art of Brancoveanu’s epoch is brought again to light by the monuments t...

ART & HUMANITIES: Section History of Art2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE CLASSICAL MODELS BROUGHT BY EUROPEAN ARCHITECTS TO THE DEVELOPMENT OF ST PETERSBURG AND THE RECONSTRUCTION OF MOSCOW AFTER THE GREAT FIRE OF 1812

(STEF92 Technology, 2017, D. Shvidkovsky, G. Yesoulov)

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The paper determines features of the Empire style in Russia before and after the Great fire of Moscow of 1812 during the war with Napoleon I. The Russian Empire style has generally three branches: Moscow, St Petersburg and provincial one with their specific features. The Imperial power established an elaborated system of model designs (more then a 1000 made by a team of architects of different nationalities) for a detailed typology of civil, military and private buildings and town planning elements made by the dec...

ART & HUMANITIES: Section History of Art2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE DEVELOPMENT OF VOCAL PERFORMANCE AND VOCAL PEDAGOGY IN THE CONTEXT OF NON-ARTIFICIAL MUSIC OF THE 20TH–21ST CENTURIES IN SLOVAKIA

(STEF92 Technology, 2017, I. S. Pandiova)

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The contribution focuses on historical relationships of the development of vocal performance and vocal pedagogy in the second half of the 20th century, which is definitely based on the classical vocal performance and vocal pedagogy respecting the bel canto principle of singing. The Slovak vocal school fully respected the Italian bel canto principle of singing. The founding personality of the vocal pedagogy in Slovakia was a Czech violinist, composer, singer and teacher Josef Egem, who adopted the bel canto singing...

ART & HUMANITIES: Section History of Art2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE FRENCH ANTECEDENTS OF S. LE PRETRE DE VAUBAN: THE TRANSITION FROM THE “TRACE ITALIENNE” TO THE INTERNATIONAL SYSTEM OF BASTIONED FORTIFICATION

(STEF92 Technology, 2017, Y. Revzina)

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Today the name of Sebastiene Le Prêtre de Vauban is considered to be some kind of equivalent to the bastioned fortification itself. Of course his impact to the European fortification of the late XVII – early XVIII centuries was great. Nevertheless his ideas and his famous “three systems of fortification” were the result of the evolution of ideas that took place in France during the second half of the XVI - the early XVII centuries. Among the most prominent antecedents of Vauban there were J. Errard De Bar-l...

ART & HUMANITIES: Section History of Art2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 289-296 pp, DOI:10.5593/SGE
Publication

THE NATIONAL SPECIFIC CHARACTER OF SPANISH BAROQUE SCULPTURE

(STEF92 Technology, 2017, A.V. Morozova)

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The article explores the roots of the national specific character of Spanish Baroque sculpture. The national specific features of Spanish sculpture are often treated in literature as a set of separate characteristics. However, Spanish sculpture of the 17-18th centuries is an integral phenomenon of a high artistic quality, and it cannot be explained by the influence of discrete factors. So, it is important to find a common reason which could account for the outstanding originality of Spanish sculpture. ?. V. ??r?zo...

ART & HUMANITIES: Section History of Art2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 297-306 pp, DOI:10.5593/SGE
Publication

THE ONTOLOGICAL RELATIONSHIP BETWEEN SPATIAL AND TEMPORAL ARTS AS THE MOST IMPORTANT AMONG THEIR TYPES OF INTERACTION

(STEF92 Technology, 2017, E. Rovenko)

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The aim of this research is to determine models of contact between arts different by their nature and to offer a relevant classification. The last could aid to comprehend, how the principles of interaction of arts have changed in historical perspective. Consideration of this problem allows: 1) to propose a new approach for studying of correlations between different arts; 2) to establish ontological correspondences between arts of the same epoch; 3) to develop a method of analysis of means of expression in temporal...

ART & HUMANITIES: Section History of Art2017
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